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And he acknowledges that a problem with Shakespeare's history plays is that the characters, who were as familiar as pop stars to the Elizabethans, are largely unknown to modern American audiences.

The actors are honest enough to admit that Shakespeare is an acquired taste. But anyone who's looking for an indication of the power of Al Pacino's acting, do yourself a favor and rent "Dog Day Afternoon" instead.

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As a director, he has only a superficial insight into the play and despite surrounding himself with experienced Shakespearean actors including Kevin Spacey as Buckingham, who would gone on to become a memorable Richard III onstage , the film will only be of interest as a beginner's primer to the play. If you have no previous experience with Shakespeare or "Richard III" and want to familiarize yourself with it for a class or for your own personal growth, I'd advise you to watch Ian McKellen's film which brilliantly set the play in a s fascist state reminiscent of Nazi Germany. One of the wonderful things about Shakespeare is that many of his own characters might have done the same. Coming out, I had learned a lot about Richard, about Shakespeare, and about the choices that must be made in producing a play. February 15, Format: Prime VideoVerified Purchase There are worse things than making a documentary about Shakespeare's "Richard III" that might be of interest to students or people with no previous experience with the play. For that, you can consult Laurence Olivier's version, or Ian McKellen's film that transposed the action to a neo-Nazi s England. If you add up all the line readings and scene snippets and occasional extended sequences, Pacino and his fellow actors do succeed in performing perhaps a fourth of the play, but their acting is mostly for the purposes of discussion and demonstration: This is a film about how to act and produce Shakespeare. The actors are honest enough to admit that Shakespeare is an acquired taste. Familiarity with the words on the page and some experience in seeing stage and film productions will eventually allow any intelligent person to appreciate that Shakespeare is the greatest of all authors, but at first he can be discouraging and bewildering. We pick up history and familiarity as we go along, and if we are lucky we eventually see the majesty, the humor, the sadness, the insight and the wisdom. It is also, not incidentally, a documentary about some days in the life of an actor who loves his craft and brims with curiosity and good humor. Popular Blog Posts. Having chosen to be actors, they know they cannot respect their craft without embracing its greatest writer. And he acknowledges that a problem with Shakespeare's history plays is that the characters, who were as familiar as pop stars to the Elizabethans, are largely unknown to modern American audiences.

It is also, not incidentally, a documentary about some days in the life of an actor who loves his craft and brims with curiosity and good humor.

We pick up history and familiarity as we go along, and if we are lucky we eventually see the majesty, the humor, the sadness, the insight and the wisdom. Having chosen to be readers and viewers, we cannot do less, and this film is a delightful inspiration.

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Familiarity with the words on the page and some experience in seeing stage and film productions will eventually allow any intelligent person to appreciate that Shakespeare is the greatest of all authors, but at first he can be discouraging and bewildering.

His Broadway performance of the part was critically reviled and his depiction of the role in this film indicates that while he was superb as Michael Corleone and Jack Kevorkian and Lieutenant Colonel Frank Slade, Shakespeare's hunchbacked Earl of Gloucester is a part thoroughly out of his range.

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Simpson case are to us. We pick up history and familiarity as we go along, and if we are lucky we eventually see the majesty, the humor, the sadness, the insight and the wisdom. The actors are honest enough to admit that Shakespeare is an acquired taste. Unfortunately, Al Pacino is not the person to do it. His Broadway performance of the part was critically reviled and his depiction of the role in this film indicates that while he was superb as Michael Corleone and Jack Kevorkian and Lieutenant Colonel Frank Slade, Shakespeare's hunchbacked Earl of Gloucester is a part thoroughly out of his range. Having chosen to be readers and viewers, we cannot do less, and this film is a delightful inspiration. If you add up all the line readings and scene snippets and occasional extended sequences, Pacino and his fellow actors do succeed in performing perhaps a fourth of the play, but their acting is mostly for the purposes of discussion and demonstration: This is a film about how to act and produce Shakespeare. Familiarity with the words on the page and some experience in seeing stage and film productions will eventually allow any intelligent person to appreciate that Shakespeare is the greatest of all authors, but at first he can be discouraging and bewildering. But anyone who's looking for an indication of the power of Al Pacino's acting, do yourself a favor and rent "Dog Day Afternoon" instead. But imagine years have passed, and an audience is trying to remember exactly who Kato Kaelin was. As a director, he has only a superficial insight into the play and despite surrounding himself with experienced Shakespearean actors including Kevin Spacey as Buckingham, who would gone on to become a memorable Richard III onstage , the film will only be of interest as a beginner's primer to the play. If you have no previous experience with Shakespeare or "Richard III" and want to familiarize yourself with it for a class or for your own personal growth, I'd advise you to watch Ian McKellen's film which brilliantly set the play in a s fascist state reminiscent of Nazi Germany. For that, you can consult Laurence Olivier's version, or Ian McKellen's film that transposed the action to a neo-Nazi s England. And he acknowledges that a problem with Shakespeare's history plays is that the characters, who were as familiar as pop stars to the Elizabethans, are largely unknown to modern American audiences. Having chosen to be actors, they know they cannot respect their craft without embracing its greatest writer.

Popular Blog Posts. But imagine years have passed, and an audience is trying to remember exactly who Kato Kaelin was.

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But imagine years have passed, and an audience is trying to remember exactly who Kato Kaelin was. Having chosen to be actors, they know they cannot respect their craft without embracing its greatest writer. The actors are honest enough to admit that Shakespeare is an acquired taste. If you add up all the line readings and scene snippets and occasional extended sequences, Pacino and his fellow actors do succeed in performing perhaps a fourth of the play, but their acting is mostly for the purposes of discussion and demonstration: This is a film about how to act and produce Shakespeare. But anyone who's looking for an indication of the power of Al Pacino's acting, do yourself a favor and rent "Dog Day Afternoon" instead. We pick up history and familiarity as we go along, and if we are lucky we eventually see the majesty, the humor, the sadness, the insight and the wisdom. Coming out, I had learned a lot about Richard, about Shakespeare, and about the choices that must be made in producing a play. Unfortunately, Al Pacino is not the person to do it. One of the wonderful things about Shakespeare is that many of his own characters might have done the same. It is also, not incidentally, a documentary about some days in the life of an actor who loves his craft and brims with curiosity and good humor. As a director, he has only a superficial insight into the play and despite surrounding himself with experienced Shakespearean actors including Kevin Spacey as Buckingham, who would gone on to become a memorable Richard III onstage , the film will only be of interest as a beginner's primer to the play. Going in, I expected some kind of popular vulgarization. February 15, Format: Prime VideoVerified Purchase There are worse things than making a documentary about Shakespeare's "Richard III" that might be of interest to students or people with no previous experience with the play. And he acknowledges that a problem with Shakespeare's history plays is that the characters, who were as familiar as pop stars to the Elizabethans, are largely unknown to modern American audiences.

February 15, Format: Prime VideoVerified Purchase There are worse things than making a documentary about Shakespeare's "Richard III" that might be of interest to students or people with no previous experience with the play.

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